Why We Need Recreational Leisure in Our Lives

The puppy, staked near a camp, suddenly spots a polar bear coming. It is November, and because the sea isn’t yet suspended, bears have not been able to search for seals. To put it differently, this specific bear is hungry. The keep continues toward the puppy, apparently dividing its next meal. But something odd and unexpected occurs. The puppy, clearly outmatched by a very long shot, bows its head and starts wagging its tail. The bear then means the puppy in a loping fashion, and a minute later the two of them are wrestling with one another. An acrobatic dancing of varieties commences from the snow, both lightly nipping at one another and pulling on each other’s fur. After about 15 minutes, the bear departs, apparently uplifted from the friendly and lively encounter, even though still emaciated and famished.

The bear might have readily devoured the puppy to fulfill its own pangs of desire, however, there was still another, more powerful urge it acted, a desire that has been higher than its own survival.
It had been the urge to play with.

Play is a frequent action among several animals, particularly mammals with high cognitive skills like canines, felines, dolphins, primates, and, of course, human beings. Playing is built into our very nature. Even though this might not be a revelatory discovering, although many people would acknowledge there’s something inherently good and nourishing about drama and recreation, a number of our behaviors indicate differently. Children now play less than kids did just a couple of decades before, mainly due to their increased significance put on achievement and also the preparation for maturity. And for adults, both play and diversion have given way more to social pressures to be more effective. We might acknowledge that moment spent in recreation and play is essential, but the majority of us feel it is also superfluous, possibly even unessential into our own lives.

Play, Leisure, and Recreation
Once we think of drama as adults, unless we’re referring to involvement in an organized game or functionality, we do not typically use the term play. There’s a particular sort of play that kids engage in because adults do not. There are particular psychological and social reasons why play is very crucial for kids. But if we expand our definition of drama to add what we would believe leisurely or recreational activity, we then see that human beings continue to perform their whole lives. In his novel, Brown defines drama as with the following attributes: “apparently purposeless activity (performed for its own sake), voluntary, and inherent fascination, liberty from time, diminished awareness of self, improvisational possible, and disposition desire.”

Keeping this in mind, a lot of these activities we do could be viewed as drama: from playing a tool to composing poetry to viewing a film to creating jokes to dance at a party. In reality, the arts themselves — music, movie, literature — are a very complicated and highly developed type of drama. This does not mean artwork can not also have other functions — like being morally or culturally illuminating — however at our core we produce and participate in artwork since, in certain sense, it is fun.

A Signal of Our Humanity
Aristotle put great significance on diversion, or as he predicted, leisure. In reality, he believed we had to take some time for leisure to be completely human (consequently, those in his society that just worked for leisure were incapable of being completely alive). While we might use the expression leisure to imply vegging out on the sofa or tanning on a few violations, leisure, for Aristotle, was especially the participation in certain activities that allowed for individual thriving — that the discussion of philosophical notions, the listening to music, the reading of poetry. Leisure wasn’t only the lack of an action, or perhaps the absence of a job, but instead an active position of getting and being.

The Hindu philosopher, Josef Pieper, Ph.D., wrote a book titled: The Basis of Culture in which he explicates that the essential nature of leisure in helping us reach our potential. Without recreation and leisure, man isn’t more than a creature that works, sleep, and eats. He writes:

“Leisure is the requirement of contemplating matters in a celebrating soul. The internal joyfulness of the individual who’s observing belongs to the core of what we mean by leisure… Leisure is only potential from the premise that man isn’t simply in harmony with himself…but additionally, he agrees with all the planet and its significance. Leisure resides on affirmation. It’s not the same since the lack of action; it really isn’t the same thing as silent, or even as an interior silence. It’s rather similar to the stillness from the dialogue of fans, which will be fed with their own oneness.”

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